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The Juliusz Słowacki Theatre in Krakow - The Grand Stage
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The Juliusz Słowacki Theatre in Krakow - The Grand Stage
Nearest dates
[COPY] [COPY] [COPY] [COPY]
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
Nearest dates
[COPY] [COPY] [COPY] [COPY]
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
Nearest dates
[COPY] [COPY] [COPY] [COPY] [COPY]
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
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1989
Direction: Katarzyna Szyngiera
Music: Andrzej "Webber" Mikosz
: Marcin Napiórkowski , Katarzyna Szyngiera , Mirosław Wlekły
1989 is a production directed by Katarzyna Szyngiera featuring formal references to 'Hamilton'. Lin-Manuel Miranda's revolutionary musical introduced rap to Broadway, proposing a novel language of storytelling attractive to both younger and older audiences. The person behind the sound of our musical is one of the best Polish rap producers – Andrzej Mikosz "Webber", known e.g. for his long-term collaboration with "Łona".
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Act of Killing
Act of Killing is a theatrical adaptation of Joshua Oppenheimer's acclaimed, award-winning, Oscar-nominated documentary. The production will be directed by Jan Klata.
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Australia
The Juliusz Słowacki Theatre in Krakow - The Machine House [Miniature] Stage
The show, under the working title ‘Australia’, will invite the audience to an interactive encounter with anxiety-ridden characters, struggling with both latent individual phobias and the increasingly widespread fear of nuclear war. We will tell the story of a family that ends up in an airport in the middle of the night, frantically trying to get out of the country. In the intimate space of the Machine House, we will examine where our fears come from, how quickly we are able to transmit them to one another, and what they can lead to. We will ask: How do we distinguish between what appears to be valid and what might be considered paranoia? Just how bizarre states and reactions can anxiety lead us to? Is there a way to effectively make people feel safe? And how often is our own helplessness the source of our dread?
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Cracks of Existence
The Juliusz Słowacki Theatre in Krakow - The Machine House [Miniature] Stage
[...] one cannot be satisfied with the role of an unwitting performer of existential activities. And inself-defence,
one must pursue the meaning of everyday life as if it were a lurking criminal.
We are going to philosophise. Though perhaps philosophising may seem like the wrong term in this case, because it is associated with the mind, and here it's about philosophising with the body, philosophising about what we experience, and how we experience it as carnal beings. As beings in female bodies. Philosophising is mostly associated with the "heights" of the human (meaning: male) intellect, and to many it seems the opposite of a daily routine filled with trivial activities. We, on the other hand, wish to philosophise about the ordinary, the banal, the trivial, about the cleaning up, the busyness, the puttering around and tending to everything. About the daily labour that is the essence of our existence. This is where we’ll be searching for the meaning and properties of our human-female existence. In the existential reality that takes the form of a washcloth, a cherry fruit or a piece of meat.
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Dragon!
Author: Jakub Roszkowski
Text and direction: Jakub Roszkowski
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
Enchanted by the worlds of Hobbit, Harry Potter and Game of Thrones, we often forget about our own home-grown mythology: our Slavic gods, heroes and beasts. They tend to live in our consciousness only in an infantile, primitive form. So how about trying to actually revisit this realm?