1989
Direction: Katarzyna Szyngiera
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
1989 is a production directed by Katarzyna Szyngiera featuring formal references to 'Hamilton'. Lin-Manuel Miranda's revolutionary musical introduced rap to Broadway, proposing a novel language of storytelling attractive to both younger and older audiences. The person behind the sound of our musical is one of the best Polish rap producers – Andrzej Mikosz "Webber", known e.g. for his long-term collaboration with "Łona".
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1989 [COPY]
Direction: Katarzyna Szyngiera
1989 is a production directed by Katarzyna Szyngiera featuring formal references to 'Hamilton'. Lin-Manuel Miranda's revolutionary musical introduced rap to Broadway, proposing a novel language of storytelling attractive to both younger and older audiences. The person behind the sound of our musical is one of the best Polish rap producers – Andrzej Mikosz "Webber", known e.g. for his long-term collaboration with "Łona".
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A Christmas Carol
Author: Charles Dickens
Text and direction: Jakub Krofta , Maria Wojtyszko
A Christmas Carol bears as much relevance today as it did in Dickens' time. A world devoid of compassion and solidarity, in which an indifferent rich man determines the lives of entire families, did not end when humanity entered the post-modern era. Nevertheless, the authors of the play do not want to dwell on this grim diagnosis. Their aim is to look with compassion and understanding at the character of Ebeneezer Scrooge.
The stage setting of this Victorian story of a miser haunted by ghosts serves merely as a pretext to talk about the misery of a man who does not love himself. Because Scrooge, much like the mythical Narcissus, only sees the surface, and is incapable of introspection, and thus of love. In this sense, the central character of A Christmas Carol is more of a victim of the circumstances in which he happens to live than a villain. His transformation is not only a shift from egoism to empathy, but also breaking free of the stereotypical perception of one' s role in the world.
Produced in collaboration with the National Bank of Poland.
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Act of Killing
: Jan Klata
Act of Killing is a theatrical adaptation of Joshua Oppenheimer's acclaimed, award-winning, Oscar-nominated documentary. The production will be directed by Jan Klata.
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Agamemnon
Author: Rodrigo Garcia
Direction, lights: Szymon Kaczmarek
The Juliusz Słowacki Theatre in Krakow - The Machine House [Miniature] Stage
A father, a ruler, a husband, a commander. This mythical archetype constitutes a starting point for García in his confrontation with the audience. The title itself makes the protagonist of his text more than just a father, shopping for his family. He resembles Michael Douglas in Falling Down, who lets go of all his inhibitions. He cannot stand the lies, the shallowness and the pettiness of the surrounding reality. He treats all his social and family connections to a brutal therapy.
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Botticelli
Author: Jordan Tannahill
: Marta Orczykowska
Florence, the reign of the Medici family. The apex of painting, but also time of plague and social unrest. Botticelli, favoured by the rulers, was commissioned to paint a portrait of Lorenzo de' Medici's wife. And thus ‘The Birth of Venus’ comes into being, with a significant contribution of Botticelli’s gifted young student – Leonardo da Vinci. The two men develop a feeling for each other...
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Fern flower
Direction: Jakub Krofta
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
Fern Flower is a family play inspired by the work of Stanisław Wyspiański and a classic fairy tale about the search for the unattainable. How to achieve immortality? Is it at all possible? And at what cost?
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Forefathers' Eve
Author: Adam Mickiewicz
Direction: Maja Kleczewska
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
A premiere on the 120th anniversary of the first performance of ‘Forefathers' Eve’ as staged by Stanisław Wyspiański.
‘Forefathers' Eve’ Anno Domini 2021 is a play about Poland. After 120 years, the Romantic drama returns to the Słowacki Theatre. Remembering the productions directed by Wyspiański, Dejmek, Swinarski, Grzegorzewski, we know that this arch-Polish drama is about our subconscious retrotopia, about the ‘undead’ past and its ‘undead’ demons.
A community of a bloody ritual and the conformist salon are the two faces of Poland, encountered by Wyspiański along with the spectres at the same wedding.
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Hamlet
Author: William Shakespeare / Stanisław Wyspiański
Direction: Bartosz Szydłowski
The Juliusz Słowacki Theatre in Krakow - The Grand Stage
‘In Poland the mystery of Hamlet is the following: what in Poland is there to think about’.
These are Wyspiański's words from his Study on Hamlet, written feverishly in several days – a work that constitutes a source of inspiration for many Polish directors. Wyspiański contained therein his fascination with the phenomenon of theatre, his love for the brilliant text, and his great desire to read it so profoundly as to shake the conscience of his compatriots.
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IMPRO KRK
An improvised performance by the Impro Krk Group, based on spontaneity and creating a script in front of the audience.
The Impro Krk Group is a Krakow-based group of improvisers formed in June 2016. It consists mostly of professional actors, graduates of the Krakow's Academy of Theatre Arts. They base their work on the method developed by Keith Johnstone, one of the pioneers of improvised theatre in the world. Their mentor is Steen Haakon Hansen, Johnstone's long-time friend and collaborator, who has often given workshops at the Łaźnia Nowa Theatre and recently also at Krakow's Academy of Theatre Arts.